Jan 08
Berlin Philharmonic Abbado
Jan 08
Live video of Rinat Shaham singing the famous Habanera from Bizet's Opera : Carmen. http://www.NYvideo.US
Jan 08
Rinat Shaham, or as her fans know her "Rini" is the best Carmen on the Opera Scene today. This is my favourite rendition of Carmen's Seguidilla Aria (with Gordon Gietz as Don Jose)
Jan 08
Rinat Shaham as Cherubino at Covent Garden's David McVicar production of Mozart's Marriage of Figaro or: Nozze di Figaro. http://hits4pay.com/members/index.cgi?NYtimes
Jan 08
//to complete, please see part 2 at http://www.youtube.com/watch?v=zJXVPE2a19E Carmen Fantasy; composer: Bizet/Sarasate; violist : Gil Shaham; conductor : Claudio Abbado; orchestra: Berliner Philharmoniker
Jan 08
Vivaldi Four Seasons (Winter) Gil Shaham violin
Jan 08
http://www.NYvideo.US Opera Carmen, the seguidilla aria with Rinat Shaham
Jan 08
Wolfgang Amadeus Mozart, Sonata for Piano and Violin in E minor K304, Gil Shaham, Violin, Orli Shaha, Piano. Viena December/2005
Jan 08
Rinat Shaham sings Carmen, the card aria from Bizet Opera Carmen http://www.NYvideo.US
Jan 08
Partita for violin solo Nro 3 Gavotte en rondeau
Jan 08
Violin and piano Hagai Shaham Kreisler http://www.amazon.com/Hubay-Scènes-csárda-Jeno/dp/B0001FYR26
Jan 08
Gil Shaham plays Bartok 2 Violin Concerto in Torino with conductor Michel Plasson and RAI National Orchestra
Jan 08
Rinat Shaham sings Carmen's Seguidilla from Bizet Opera: Carmen http://www.NYvideo.US
Jan 08
Route 66 sung by mezzo soprano rinat shaham with jazz orchestra http://www.rinatshaham.com
Jan 08
Violinist Gil Shaham dicusses the life and influence of Spanish composer Pablo de Sarasate. From the Live From Lincoln Center broadcast Shaham @ the Penthouse on November 20, 2008. Hosted by Renee Fleming.
Jan 08
Gil Shaham, Soloist David Robertson, Conductor LIVE June 15, 2005
Jan 08
Gil Shaham plays the Max Bruch's violin concerto No. 1, Dan Ettinger, conducts the Israel Philarmonic Orchestra, Tel Aviv Israel, april 2002. Max Bruch's Violin Concerto No. 1 in G minor, Op. 26, is one of the most popular violin concertos in the repertoire. The concerto was first completed in 1866 and the first performance was given on 24 April 1866 by Otto von Königslow with Bruch himself conducting. The concerto was then considerably revised with help from celebrated violinist Joseph Joachim and completed in its present form in 1867. The première of the revised concerto was given by Joachim in Bremen on 5 January 1868 with Karl Martin Rheinthaler conducting. The work is scored for solo violin and a standard classical orchestra consisting of two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, timpani, and strings. The concerto is in three movements: 1: Vorspiel: Allegro moderato, 2: Adagio, 3: Finale: Allegro energico The first movement is unusual in that it is a Vorspiel, a prelude and it, indeed, serves as a prelude to the second movement and is directly linked to it. The impression it gives towards listeners is almost like a smooth army march. The first note is unvibrated and unexaggerated. The melody is first taken by flutes, then the ravishing solo violin becomes audible. The slow second movement is often adored for its strong melody. The third movement, the finale, opens with a few subdued bars of orchestral introduction that yield to the soloist's statement of the exuberant theme in double stops. The second subject is a fine example of Romantic lyricism. The concerto is also unusual in that Bruch declined to provide a cadenza of his own for the work or allow for the insertion of a cadenza by the soloist. Bruch composed two more violin concertos, but neither are as well known as his first.
Jan 08
Gil Shaham plays Bartok 2nd Violin Concerto in Torino, with conductor Michel Plasson and RAI National Orchestra
Jan 08
Gil Shaham plays Bartok 2nd Violin Concerto in Torino, with conductor Michel Plasson and RAI National Orchestra
Jan 08
The american-Israeli violinist Gil Shaham plays the third movement of second violin concerto by Prokofiev London Symphony Orchestra
Jan 08
Gil Shaham plays the Max Bruch's violin concerto No. 1, Dan Ettinger, conducts the Israel Philarmonic Orchestra, Tel Aviv Israel, april 2002. Max Bruch's Violin Concerto No. 1 in G minor, Op. 26, is one of the most popular violin concertos in the repertoire. The concerto was first completed in 1866 and the first performance was given on 24 April 1866 by Otto von Königslow with Bruch himself conducting. The concerto was then considerably revised with help from celebrated violinist Joseph Joachim and completed in its present form in 1867. The première of the revised concerto was given by Joachim in Bremen on 5 January 1868 with Karl Martin Rheinthaler conducting. The work is scored for solo violin and a standard classical orchestra consisting of two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, timpani, and strings. The concerto is in three movements: 1: Vorspiel: Allegro moderato, 2: Adagio, 3: Finale: Allegro energico The first movement is unusual in that it is a Vorspiel, a prelude and it, indeed, serves as a prelude to the second movement and is directly linked to it. The impression it gives towards listeners is almost like a smooth army march. The first note is unvibrated and unexaggerated. The melody is first taken by flutes, then the ravishing solo violin becomes audible. The slow second movement is often adored for its strong melody. The third movement, the finale, opens with a few subdued bars of orchestral introduction that yield to the soloist's statement of the exuberant theme in double stops. The second subject is a fine example of Romantic lyricism. The concerto is also unusual in that Bruch declined to provide a cadenza of his own for the work or allow for the insertion of a cadenza by the soloist. Bruch composed two more violin concertos, but neither are as well known as his first.
Jan 08
Wolfgang Amadeus Mozart, Sonata for Piano and Violin in E minor K304, Gil Shaham, Violin, Orli Shaha, Piano. Viena December/2005