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佐藤利奈 (ネギ・スプリングフィールド)/木村まどか(2:明石裕奈)/笹川亜矢奈(3:朝倉和美)/桑谷夏子(4:綾瀬夕映)/山川琴美(5:和泉亜子)/ 浅倉杏美(6:大河内アキラ)/神田朱未(8:神楽坂明日菜)/板東愛(9:春日美空)/渡辺明乃(10:絡繰茶々丸)/出口茉美(11:釘宮円)/ Hazuki(12:古菲)/野中藍(13:近衛木乃香)/石毛佐和(14:早乙女ハルナ)/小林ゆう(15:桜咲 刹那)/堀江由衣(16:佐々木まき絵)/ 佐久間未帆(18:龍宮真名)/高本めぐみ(19:超鈴音)/白石涼子(20:長瀬楓)/小林美佐(21:那波千鶴)/こやまきみこ(22:鳴滝風香) /狩野茉莉(23:鳴滝史伽)/志村由美(25:長谷川千雨)/松岡由貴(26:エヴァンジェリン)/相沢 舞(28:村上夏美)/皆川純子(29:雪広あやか)/井ノ上ナオミ(30:四葉五月)
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Africa's perfect pop group are back! Five years on from the best-selling 'Specialist in All Styles', Orchestra Baobab return with 'Made in Dakar', an album that celebrates their roots in one of the world's most explosive musical cities -- which updates their classic mellow sound with a new edge and a new energy for new times. But the album's standout track must be the show-stopping 'Nijaay', a brooding paean to the joys and responsibilities of marriage, written by Laye Mboup, the late-legendary Baobab singer who was killed in a car crash in 1974. This is one of the great Dakar songs, in what will become its defining version, with Assane Mboup holding forth with the invocatory fervour of old school praise singers over a magnificently, melancholy chorus and extraordinary off-the-wall, wah-wah guitar from Barthélemy Attisso.
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